ABOUT ME
My name is Madison Margaret Clark and I am an actor, writer, and singer. I am originally from and currently based in New Orleans, Louisiana. I attended New Orleans Center for Creative Arts (NOCCA) for Musical Theatre and graduated in May of 2021. In May 2025, I received my BFA in Contemporary Theatre at Boston Conservatory at Berklee. I have been performing in the theatre for over 10 years. As a freshman at the conservatory, I starred in the leading role of Machinal by Sophie Treadwell. I have worked professionally in New Orleans, Boston, and Atlanta on various film projects. I have always had a passion for film, television, and theatre. My goal is to help the entertainment industry become more diverse and equitable for not just actors of color, but any BIPOC person that wants a career in entertainment.
PRAISE FOR MADISON'S PERFORMANCE IN THE LYRIC STAGE'S PRODUCTION OF CRUMBS FROM THE TABLE OF JOY BY LYNN NOTTAGE
“Director Tasia A. Jones has assembled a terrific cast, led by Boston Conservatory senior Clark, who balances Ernestine’s dreamy, movie-inspired notions of how she wished her family members would speak to each other, in contrast to her pragmatic approach to identifying her own goals.” - Terry Bryne, The Boston Globe
“Played with depth, intelligence, and quiet presence by the gifted Madison Margaret Clark, Ernestine Crump not only provides a great measure of the play’s heart, she also narrates it.” - R. Scott Ready, Broadway World
“Clark, currently pursuing her BFA at Boston Conservatory, brings emotion to Ernestine, especially in her very moving epilogue which includes the efficiently rendered stories of all these characters.” - Lynne Weiss, Stage and Cinema
“Clark’s engaging delivery is an endearing mix of fondness and reflection recalling life’s little joys such as sharing cookies and precious family moments within the thin walls of a small apartment.” - The Sleepless Critic
“Clark masterfully steps in and out of the action, portraying the obedient daughter in her memories, and punctuating the scenes with omniscient and matured asides that reflect on the events as they occurred. Easily maneuvering between rhotic and non-rhotic accents, Clark shines as the show’s driving force.” - Helen Ganley, The New England Theatre Geek